Not Quite Hollywood is the wild, wonderful, untold story of “OZPLOITATION” films. It irreverently documents an era when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor action. Free-wheeling sex romps! Blood-soaked terror tales! High-octane action extravaganzas! They’re the main ingredients of Not Quite Hollywood, the first detailed examination and celebration of Australian genre cinema of the ’70s and ’80s.

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When high-powered book editor Margaret (SANDRA BULLOCK) faces deportation to her native Canada, the quick-thinking exec declares that she’s actually engaged to her unsuspecting put-upon assistant Andrew (RYAN REYNOLDS), who she’s tormented for years. He agrees to participate in the charade, but with a few conditions of his own. The unlikely couple heads to Alaska to meet his quirky family and the always-in-control city girl finds herself in one comedic fish-out-of-water situation after another. With an impromptu wedding in the works and an immigration official on their tails, Margaret and Andrew reluctantly vow to stick to the plan despite the precarious consequences.

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Clare has been in love with Henry her entire life. She believes they are destined to be together, even though she never knows when they will be separated: Henry is a time traveler–cursed with a rare genetic anomaly that causes him to live his life on a shifting timeline, skipping back and forth through his lifespan with no control. Despite the fact that Henry’s travels force them apart with no warning, Clare desperately tries to build a life with her one true love.

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From Oscar®-winning director Martin Scorsese, “Shutter Island” is the story of two U.S. marshals, Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo), who are summoned to a remote and barren island off the coast of Massachusetts to investigate the mysterious disappearance of a murderess from the island’s fortress-like hospital for the criminally insane.

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Based on Cormac McCarthy’s best-selling and Pulitzer Prize winning novel, “The Road” is the epic post-apocalyptic tale of a journey taken by a father and his young son across a barren landscape that was blasted by an unnamed cataclysm that destroyed civilization and most life on earth.

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